3
Ann stepped off the train onto the platform in Griply, breathing in the
Yorkshire air, faintly startled to realise that she was really here at last.
Richard followed her out as Gladys fussed around with the baggage and
they made their way through the people toward the exit, Ann’s eyes scanning the
faces all the while almost anxiously. At any time now she might see people she
recognised, supporting characters as it were, from her former life as Burt. She
had grown so used to being Lady Ann over the past four weeks but she was still
afraid that might all dissolve were she to be faced with the likes of Jeb or
Mavis.
But she saw no one she recognised… yet.
The coach was waiting outside. The coachman tipped his cap and hurried
to open the side panel door. Richard helped Ann up the step and inside then
climbed in after her while the servants dealt with the baggage.
“You seem overly nervous Ann,” he said, smiling crisply.
“I suppose I am,” she replied.
“Well there isn’t anything to worry over. I think you’ll find things are
exactly as you left them. Change isn’t something that occurs at any pace in the
countryside.
Ann gave a brittle smile and then jerked slightly as the coach pulled
off.
They passed the green and the village hall. She watched for signs of
movement as the Dog & Pony rolled past on the left. There was no sign of
Mavis. It was profoundly odd to see the building for the first time since she’d
been a man. The last time she’d seen it she’d been reveling inside with the
other working men, a brutish uncouth drunkard.
She missed those days.
Commoners walking the street stopped to watch the coach as it passed,
nodding in deference to the returning aristocracy. Soon however, the houses of
the village were left behind and the lane narrowed, bushes crowding in on both
sides. Ann’s nerves took another step up.
Richard said little, only smiling mildly. Ann sat as composed as she
could, hands settled in her lap, shoulders straight. She was playing out in her
mind the approach to the Hall, visualising the road ahead; the drive up to the
front door.
The coach slowed as it approached the gates, making the turn carefully
and on impulse, Ann stood to the window and called up. “Coachman! Pull in at
the stables. I wish to disembark there.”
Richard was looking at her queerly when she sat back down. “Why ever
would you want to do that?”
“I…” Ann had no response but her mind caught something half reasonable.
“I just can’t wait to see my horse again. My parents can pass the time for five
minutes.”
“Hmmm.” Richard raised his eyebrow. “I suppose one day I may come to
understand the workings of the female mind.”
The drive parted and the coach took the right channel, slowing as it
came to the top of the rise and swept down in front of the stable.
“We’re here,” whispered Ann breathlessly. “Good God, we’re here.”
She leant forward into the window as the coach creaked to a stop in
front of the stable doors, her eyes darting back and forward to catch sight of
him.
And then she saw him, through the open doorway in the gloom and her
heart almost ceased pumping.
Burt was shoveling dirty straw from the floor of one of the
stable stalls, his sleeves rolled up past his elbows. Ann stared at his
rippling muscles; the careless attitude he had in his body language, entirely
devoid of decorum. He obviously didn’t care one whit about the way he carried
himself or looked with his scruffy clothes and masculine posture.
He was the exact opposite of her.
She had felt sure that she would know what she wanted to do
when she saw him but the three dimensional physicality of him knocked her
entirely off-balance. The uncouth filth and constraints around him were
instantly recognisable but so was the raw power and lower class freedom.
She realised that she didn’t know what she wanted at all.
All she could do was let it play out and do what her
instincts told her.
He was He was the exact opposite of her. I love the symmetry of the scene compared to the one earlier. - john
ReplyDeleteYeah. Well spotted. It's sometimes debatable practice (as it can knock the reader from the suspension of disbelief), but is particularly apt here so I went with it.
DeleteEmma
Fair point but in this case it works because its showing how far each of them has come. -john
DeleteYou are exactly right!
DeleteEmma
another thought: they both have "decided" that they should switch back, but the "other" life is so emotionally horrifying they can't quite bring themselves to switch, the status quo is just too comfortable -John
ReplyDeleteYeah. I actually find that confusion fascinating.
DeleteIt's an interesting exploration of identity choice.
Emma
Yeah it works on multiple levels, because if they've changed enough to truly be their new selves. Is there room left for a choice? -john
DeleteThat's right. Niether one, initially, would EVER consider remaining as they other.
DeleteIs it because they've come to a logical reasoning about the other life being attractive or because their thinking has changed until they know no better?
Emma